open road

Just peeking in to say 'hello pumpkins!' Nothing much to report at all - but that's the whole point of blogging sometimes isn't it? Good.
So notes on notes on notes. The rewrite is proving a real pain and I'm at the stage where I feel like stepping off completely ('No-oo' I hear some cry. 'Do it!' others murmur.)
The main problem: 'moving goal posts'. Yes that old chestnut. I take aim to find everything's now in a different place. Plus the latest strategy is to get me to incorporate elements of previous scripts into this one. Stuff that! No. Way. However I can be very reasonable if it is worth my while. Cough.

Let's see.
Friday now. Holidays here next week. Time for a glass of PG. Cheers! And what are you doing?

movement

Hello blog! Back to the grindstone now - since last week all the buses came along at once (Clapham omnibus - see that's a cultural reference - which few here are familiar with & reminds me why I blog)

Anyway I signed a contract and received funds in my account all in the same week (plus it was my birthday - yeehaa!) Remarkable - since the contract was not for the big non-film jazz thing which will now take another couple of months to come through - but for a back burner script commission which has been under protracted discussion for nearly 18 months. In fact I'd rather lost faith that negotiations would ever get anywhere. Now I have to get on with it - hammer out a treatment in a week and a (brilliant) script plus revisions in a month (plus or minus) - just in time for Cannes. So after two months of faffing (well 'gentle contemplation') and tweaking my A5 booky thing, now have to get down to some real mental graft.

What else - was reading the Guardian tv blog to see how the No 1 Ladies' Detective Agency 2 hour TV movie was received in the UK and perhaps predictably the audience was completely split - loving or hating it - with little middle ground - and most criticism levelled at the representation of Africa. Here's one comment from 'unclephaester' directed at reviewer Sam Wollaston; "when Sam says that there aren't enough black people on TV, he means "his sort" of black people. Blacks who conform to Sam's stereotypes and not those of other people." Ha.

Still I hope the series is flighted here soon. Since my daughter was born, I've tended to favour light reads - stuff that takes only a day or two and the No 1 series certainly fits. I'm finishing the 2 most recent books now. Few people point out how funny the stories are. I'm drawn to the way women bamboozle folk (mainly naive men)- maybe it is recognition. When I first came to live in Cape Town, I was probably a bit green and would stand by, uncomplaining when one or other of my hub's 3 sisters arrived, marched into the kitchen, tasted the food cooking on the stove before pronouncing disparagingly on the flavour. In the early days, in Montana, imposing neighbours invited themselves in just to comment on the shape and colour of washing on the line. Some even demanded old newspapers or bottles from the domestic worker (without my knowledge)! Now I put my foot down.

I must be grown up.

strike

South Africa might seem a little off the radar when it comes to the US Writers Guild strike and indeed the majority of scriptwriters here produce for local content and broadcasters - and tend to be consumed by a different set of pressing professional issues.

Striking US writers have stated that it is not proper for writers anywhere (that includes here in SA) to approach, negotiate, pitch or do business with any of the 'struck' WGA signatory companies during the strike action. The list of companies is available here and contains a fair number that have done or are currently doing SA co-productions.

Last year alone, film and television production (the majority of which here is overseas co-production) contributed over 5 billion rands to South Africa's economy (3 billion in the Western Cape and 2 billion in Gauteng). It might be timeous for the writers union SASWU to issue some statement of solidarity - since any benefits eventually won by striking US writers will have far reaching impact, and may provide additional leverage for on-going local negotiations.

For further information and to read various recent media coverage of the strike - see Robin's blog here.

etc.

Slightly garbled blog as things seem to be speeding along. Awaiting feedback on the script but have already been told that there are 3 beginnings (hmm don't know how I managed that one - but I do see what they mean - still nothing that can't be fixed with a small tweak). Since sending it for reads, have been doing a few more passes on the dialogue - snips here and there.

Yesterday had a long overdue conference call about the next two scripts - a thriller - (have I ever written a thriller? - no but I'll give it a try) and a tug-of-love drama. Both quite meaty. I said initially that I could 'more or less knock out a script in a month' but I've now revised that to 'the more time I have - the better the script is likely to be.' Hmmmm. I also managed to persuade them, that at this stage I should write only the thriller treatment for the same (lowish) amount. 50% will be back end on both - which is not what I like but hey - beggars can't be choosers.

Laters.

Scripts (and rats)

If in doubt talk it over with mum - ha! My mum is a children's author (and poet) so very cool to discuss work 'issues' with.

Let's go back to the beginning. A while back there was a brief - for an intriguing children's TV (storytelling series). I wrote up a proposal for a prodco - it got commissioned. I scripted and then directed it. Some bits were great, a few bits weren't. It gets re-commissioned - is that not affirmation? I receive an email from the prodco making an offer (for directing and scripting.) I say yes to both. In between I complete my own doc series, have a falling out with the 'powers that be', get over it - do everything they say. Get it finished. It goes on air. People like it.

Ok fast forward to a workshop (about the second series) I think I'm there because I'm directing and scripting again. 15 people attend - some fly in. Copious scones and tea. Colourful lunch - a big, bright, shiny occasion. We discuss the first series. Exchange opinions and ideas. Write loads of notes. The next day I receive an offer from the prodco - but only for scripting - and for a lot less than the previous series. I ask about directing and re-state my terms of trade. They agree to my terms but say the 'powers that be' want an alternative director.*

I smell a rat. (Funnily enough mum smells a rat too!) Hub says just 'take the money and run'. But I don't think I can. It's not quite like a jobbing job where I just hit the keyboard hour after hour and churn it out. I'd prefer to put my heart in it - after all I was there at the start.

So I ask to know their reason*.

It's not always about being an 'awkward so and so' (writers and directors generally are). Sometimes it's about refusing to be fodder in some unfathomable agenda...

Let's see.

on hold

All back on hold with scripting right now. So much for vegetable turrets. Eish - the ups and downs of this business. Not happy with the offer. Not happy at all.
Maybe now is a good time for some business advice for scriptwriters (particularly those based here - where there is not the same emphasis on writers' agents as there is globally)

• Bide your time, don't cave in
• Keep every single email from potential employers that contains the vaguest whisper about money, contracts, schedules or work parameters. In the case of forgetful producers or offers 'lower than discussed' this is always useful evidence.
• Decline a low offer politely but mention the figure required for a 'yes'
• Know your worth especially -if you've done something before and it is being offered to you again.
• Remember none of them can do what you do or do it like you do
• Make it seem easy (especially when you know it isn't)
• Writing speed is power (especially here where development/re-writing time is virtually non-existent and everything needs to be done by tomorrow)
• At meetings, befriend the other parties - that way someone will be rooting for you somewhere.
• Make yourself indispensable (be a walking repository of relevant knowledge)
• Have lots of other things on the go
• Keep a blog [allegories ok - slatings no no]
• Don't worry, something else is just round the corner